Split Second (1992)

Image source: The Movie Database

There’s a lot to enjoy in this low budget sci-fi thriller in which Hauer stars as a burnt out tough guy cop named Harley Stone, who’s on the trail of a serial killer that turns out to be a slimy demonic creature. This film’s got a lot of atmosphere – at least in that sort of shadowy, 90s kind of way. Hauer leans into the over the top stoicism of his character, cigar lodged in his mouth and unwaveringly laconic.

Fatherland (1994)

Image source: So It Goes…

In this woefully forgotten alternate history whodunit from HBO’s Originals division, Hauer stars as a Nazi officer in 1964, decades after the Third Reich won WWII and conquered all of Europe. When retired officers are getting murdered just before an important diplomatic summit with America, he investigates a mystery that leads him to a horrifying cover-up. It’s surreal, self-aware and Hauer aces the role of a conflicted European consigned to the reality of his world.

Nighthawks (1981)

Image source: Bloody Disgusting

Hauer’s debut in American cinema, Hauer plays Wulfgar, a terrorist whose villainy is alluring as it is monstrous. Reports are that stars Billy Dee Williams and Sylvester Stallone kept butting heads over whose cop was the star, but they shouldn’t have bothered since Hauer clearly stole the film. While they mugged for close-ups, Hauer was busy establishing himself as a handsome but dangerous face.

Blind Fury (1989)

Image source: TV Guide

This loose reimagining of Zatoichi Challenged takes the samurai drama into full-on modern day action comedy territory. Hauer plays a Vietnam veteran turned blind swordsman who accompany his friend’s son to Las Vegas and fight some Southern-fried gangsters. Hauer plays his bad-ass as a righteously friendly dude and the climax, in which Hauer duels the legendary Sho Kosugi is a freaking riot.

Flesh + Blood (1985)

Image source: Psychotronic Cinema

This vicious and subversive historical thriller sees Hauer as the leader of a gang of mercenaries. There’s not a trace of sanitized romanticism in this epic, only sex, violence and disease with religious zealotry and political corruption being just as bad as the plague sweeping the land. Challenging and dazzlingly unusual, this film was enormously unprofitable which is a shame since Hauer is perfect in it.

Hobo With A Shotgun (2011)

Image source: National Film Board of Canada

Originally a fake trailer for the Grindhouse double feature by Quentin Tarantino and Robert Rodriguez, this movie is a truly sublime experience. Hauer stars as the titular hobo, who becomes a vigilante after witnessing the nightmare that is his neighborhood and its ineffectual police. It’s lurid, perverse and outlandish like all the good B-movie grindhouse films. The high point is Hauer’s lengthy monologue to a roomful of newborn infants in which he offers himself up as a cautionary tale.

The Hitcher (1986)

Image source: Super Marcey

After a polite, affable driver offers a lift one quiet evening, he soon learns his passenger is an utter maniac. The hitcher hunts him down across the dunes, shoots a helicopter out of the sky, blows up a gas station and straps innocent people between trucks. Hauer brings a frosty chill demeanor to the role, taking this insanely vicious monster from generic evil to truly memorable.

Blade Runner (1984)

Image source: Tmovies

This is the iconic role that cemented Rutger Hauer’s place in cinema. Though poorly received on release, Blade Runner has gone on to emerge a misunderstood classic. Depicting a world ruined by corporatism and ecocide, this cyberpunk film centers on synthetic humanoids – replicants – who seek to extend their short artificial lifespans. Hauer plays their mastermind, the emotionally and psychologically conflicted Roy Batty with magnetic intensity.

Faced with impending mortality, Batty is filled with rage, resentment, sorrow, anguish and despair and the way he processes those feelings is compelling. In the end, nothing can spare him from death and his now famous “tears in the rain” monologue implies visions of beauty, wonder and adventure that are his alone. Hauer supposedly tweaked the monologue himself and perfected what the human condition means to that which is made in man’s image.

 What were your favorite movies of Rutger Hauer? Let us know below!