8 Reasons “Smaller And Smaller Circles” Needs To Stay in the Cinemas

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8 Reasons “Smaller And Smaller Circles” Needs To Stay in the Cinemas

Sadly, not a part of MMFF.

| December 11, 2017

8 Reasons

“Smaller And Smaller Circles”

Needs To Stay in the Cinemas

By Tim Henares

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It always seems to be the case that the best films we have to offer in Philippine Cinema lately also tend to be the least viewed, which is a crying shame.

“Smaller and Smaller Circles,” based on the book of the same title, is a mystery involving a Philippine Serial Killer, no matter how preposterous that premise might seem. It follows the point of view of a forensic expert who also happens to be a priest, Father Saenz, as he walks in two different worlds: the world of law and justice, and the world of God, which, in this narrative, often come to a head.

That hardly anyone is even watching this masterpiece has to be corrected, lest we end up thinking that “Smaller and Smaller Circles,” with its all-too-brief theater run thanks to a lack of commercial interest, ends up getting lumped with, say, “Durugin Ang Droga.”

Without spoiling anything, here’s 8 reasons you have to catch this kickass film – and keep it afloat in the cinemas!

8. It’s a smart, lean crime thriller.


What “On The Job” brought to Philippine neo-noir sensibilities, “Smaller and Smaller Circles” manages to bring to Philippine mysteries as a whole. For the most part, we haven’t had too many great whodunits in our cinematic history, so having a very smart, engaging, and gripping one is definitely a feather in our cap.


7. A compelling premise.

What would you do if a serial killer is on the loose in the Philippines, and not only are you one of the few people who can track him down, you also happen to be a Jesuit priest? The fact that Father Saenz is a priest is integral to the film’s narrative, and keeps in line with themes that go far beyond the film itself. It’s meta AF.


6. It confronts the clash between justice and faith head-on.

In light of “Spotlight,” Hollywood has certainly made it imperative to take erring clergy to task when it comes to abusing young children. The Philippines, as thoroughly Catholic as it is, certainly shies away from these discussions, but this film does not. Without indicting God Himself, the film still manages to tackle these sensitive topics with grace and nuance.


5. It puts all institutions on blast, period.

Not only did the religious get a sendup from this film, but so did the government. Overall, it manages to do this without coming across as preachy or sanctimonious, because its best characters are still part of these institutions, thus giving us hope that good people can achieve good things despite everything.