8 Reasons Why “Meet Me in St. Gallen” Is Not Your Ordinary Romcom

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8 Reasons Why “Meet Me in St. Gallen” Is Not Your Ordinary Romcom

Celeste and Jesse forever.

| February 15, 2018

8 Reasons Why

“Meet Me in St. Gallen”

Is Not Your Ordinary Romcom

By Macky Macarayan

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Romantic comedies, or romcoms, are a staple of Philippine cinema, because not only does it provide momentary bliss, away from life’s many complexities, but also because it is a highly bankable genre— you either watch it with a date or in groups. With the increasing number of romcoms released every year, there is a tendency that some stories feel similar, with films often resorting to tired tropes and formula. Once in a while, however, a gem gets slipped in, as is the case with this Carlo Aquino-Bela Padilla starrer.


Meet Me in St. Gallen is about a chance encounter, which led to a life-affirming experience for both Celeste (Padilla) and Jesse (Aquino). Before you scream “typical,” the film actually makes this seemingly ordinary, dialogue-heavy encounter unforgettable. The setup is simple, but the things Celeste and Jesse talk about are anything but.



No matter how good the material is, or how beautiful the shots are, when your leads don’t have palpable chemistry onscreen, then a romcom doesn’t simply work. Thankfully, Padilla and Aquino are nail-bitingly electric together, their banter always heartfelt, and involving.



One often flaw in writing is that characters sound alike, but here, Celeste and Jesse could not be more different from each other. As Celeste once put it, Jesse always seems to say the right words, the typical good guy. Meanwhile, Celeste’s character is given a lot of room for wittiness, without calling much attention. The wit comes naturally, thanks to Padilla’s knowing command of her character.



Silence is also a form of dialogue and used effectively, it can heighten tension to unparalleled heights. One of the major reasons Meet Me in St. Gallen is compellingly beautiful is that characters do not resort to screaming matches for hours. For all the words Celeste and Jesse said to each other, there are lots of blanks left to be filled in every passing glance, or knowing stare, or even Carlo Aquino’s glaring but loaded smile in the second act. A crucial scene in the second act that occurs during breakfast is one of the most effective employments of silence: you could cut the tension between Celeste and Jesse with a knife.