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ICYMI: “Hotel Artemis” is a Campy Ride that Doesn’t Stop

Ma-aksyon!

| July 4, 2018

ICYMI: “Hotel Artemis”

is a Campy Ride

that Doesn’t Stop

By Macky Macarayan

Hotel Artemis    isn’t your typical hotel. It is strictly members only, is governed by a set of rules, and although it looks rundown, offers state-of-the-art medical treatment for those who need it. Sounds familiar? “Hotel Artemis,” written and directed by Drew Pearce (the writer of     Iron Man 3,    who makes his feature-length debut here) draws some similarities to The Continental in     John Wick,     the exclusive hotel for assassins. We actually thought that this movie was a spinoff. Nevertheless,    Hotel Artemis     is its own beast, led by another terrific turn from Jodie Foster, whom we missed so much.

 

The hotel has rules, and tonight, each one will be broken

Hotel Artemis is governed by a set of rules that members must follow, otherwise they will hit the curb. Guns are not allowed past the gate, there’s no insulting the staff, and like in    John Wick,    business cannot be conducted on hotel premises, and by business we mean murdering your mark in cold blood. Jodie Foster plays “Nurse,” the administrator of the hotel-slash-medical facility, whose cool composure has allowed her to be immune with the weird goings-on night after night. “Just another Wednesday,” she quips. She has no idea. At all.

 

Jodie Foster kicks ass in pajamas

Foster has beaten a serial killer in     Silence of the Lambs,     captured the heart of Robert DeNiro in     Taxi Driver,    and showed us the wrath of a vengeful citizen in     The Brave One.    Here, dressed only in her PJs and armed with a medical kit, she shows everybody who’s the boss; not even murderous thugs are a match for Foster’s principled hotel administrator.

 

Fight sequences will knock your lights out

Dave Bautista plays Foster’s sidekick Everest, an orderly who knocks jokes and sarcasm like nobody’s business; when that doesn’t work, he will knock you down on the ground, or throw you into a wall. Meanwhile, Sofia Boutella (who should be given more action roles) plays Nice, a French assassin who is among the Artemis’ colorful band of guests for the night. Her skill with knives will make you think twice about crossing her. The body count goes high quicker than you can say “checkout time.”

 

Beneath the action, there’s a social issue being discussed

The film is set in 2028 in L.A., in the middle of a massive riot. Perhaps a throwback to the 1992 L.A. riots, the setup allowed the characters to be trapped within the confines of the hotel. The film also talks about crime and punishment, and eventually, capitalism, where a basic utility becomes scarce due to corporate monopoly. In hindsight, why are the hotel guests nicknamed with global cities like Nice (France) or Acapulco (Mexico)? This might be overstretching the idea, but perhaps the film wants to talk about a global community, hence the presence of different nationalities, and the accompanying indifference and intolerance that is indicative of current socio-political climate in the U.S. and beyond.